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On Papa Ephraim ​

Introduction ​

One of the most significant figures in the development of Byzantine music in the English language is Father Ephraim Poonen, affectionately known as Papa Ephraim, whose compositions and research have had transformational effects on the field. In particular, his seminal work on codifying the formulaic and orthographic rules influenced an entire generation of English-language composers, and his early work on Byzantine music typography also influenced later digital typesetting efforts. His books of music for the Divine Liturgy, Vespers, Matins, and Feast Days are widely used in English-speaking churches, and his deep Orthodox ethos and spirituality continue to bear fruit at St. Peter’s Monastery in Harrison, Montana.

While the historic significance of Papa Ephraim’s work cannot be overstated, his work nevertheless went through several distinct stages of development. The original Divine Liturgies Music Project preceded his systematic codification of melodic formulæ, while his later Vespers, Matins, and Feast Day books reflect a highly refined and rigorous approach to the composition of Byzantine music in the heirmologic and sticheraric genres. His subsequent codification of formulæ for the papadic genre further informed his compositional style, particularly in his settings of two Cherubic Hymns in the style of Peter the Peloponnesian.

In this article we document these stages of development and reflect on them two decades later. In particular, we describe how the development of a formulaic approach had a transformational effect on Papa Ephraim’s own subsequent work (to say nothing of the broader field). Unfortunately, much of his pioneering work on the Divine Liturgy was never brought into line with his more mature methodology, leaving it up to later composers to build on his Divine Liturgy music according to the methods he himself developed. As such, the use of his Divine Liturgy music requires a certain degree of discernment, and at the end of the article we provide a series of practical recommendations.

The Divine Liturgies Music Project ​

The Divine Liturgies Music Project was released online in Western notation on January 19, 2005, and in Byzantine notation on December 12, 2005. Transcribing the music into Byzantine notation motivated Papa Ephraim to develop the “EZ” Byzantine music font package and to codify 106 rules of Byzantine music orthography, which in turn prompted numerous corrections to his Western notation scores. Further updates were made in 2006, culminating in the release of version 4.0 of the book on December 3, 2006.

This was a pioneering project, unmatched at the time in its scope, which covered the Divine Liturgies of St. John Chrysostom, St. Basil, St. James, and the Presanctified Gifts, as well as a set of Doxologies. Papa Ephraim’s codification of the orthographic rules educated an entire generation of composers, and his typographic work formed the basis of the font used in the Neanes software. However, at this time Papa Ephraim’s compositional approach was not yet fully developed. As he later wrote in an article concerning adaptation:

In our Divine Liturgies book, for some hymns we composed new melodies that would match the English text without breaking any formulaic rules, while for other hymns we disregarded the rules in order to preserve the original melody with few or no changes.

While Papa Ephraim would later revise some of the Cherubic Hymns in the course of his work on papadic formulæ (as described below), the vast majority of his Divine Liturgy music remains unchanged from this time period and this methodology.

Byzantine Music Formulæ ​

In response to feedback about his compositional approach, Papa Ephraim undertook the systematic codification of Byzantine music formulæ, initially for the heirmologic and new sticheraric genres. This work was first released on July 2, 2006, with further updates in 2007, 2008, and 2009. On August 27, 2010, Papa Ephraim released version 2.0, which added old sticheraric formulæ and an appendix about formulæ for verses.

This was a turning point not only in Papa Ephraim’s own work but also throughout the world of Byzantine music composition. Its influence extended beyond English-speaking circles to other languages like Romanian and Slavonic, and it stimulated a wider revival of composition in the classical style.

On November 28, 2006, after releasing the initial collection of Byzantine music formulæ, Papa Ephraim made several corrections to his Divine Liturgy book. These were minor changes to fix missing or incorrect fthoræ and martyriæ and to adjust isokratema and syllable placement. Although Papa Ephraim would go on to use his new approach in his subsequent books for Vespers, Matins, and Feast Days, the earlier Divine Liturgy book was never systematically revised to take it into account.

One major practical limitation was the software available for typesetting Byzantine music in English. Significant changes required manually rewrapping lines and repositioning syllables beneath the neumes. This laborious workflow made it difficult to undertake a thorough revision of already typeset scores. While technological advancements have made the editing of Byzantine music books far more practical, these advancements were not available to Papa Ephraim during the earlier years of his work.

Vespers, Matins, and Feast Days ​

Vespers ​

Vespers was released online in Western notation on September 2, 2006, and in Byzantine notation on November 6, 2006. Further updates followed in 2007 and 2008. On December 16, 2009, Papa Ephraim released version 1.1 of this book, the last significant update to the work.

Vespers was the first major work to reflect Papa Ephraim’s refined formulaic approach, described in an article concerning adaptation. This book represented a new standard of quality for Byzantine music publications in the English language. The last traces of Papa Ephraim’s older methodology can be seen in this book only in his settings of “Lord, I have cried…” and in the Resurrectional Dismissal Hymns, which were retained from his earlier Divine Liturgy music:

In this Vespers book, most of the troparia of the Octoëchos are not well known. Therefore, we preserved only the general melodic movements of each troparion, while adapting the words to their appropriate melodic formulæ. Only in the Apolytikia [Dismissal Hymns] and sometimes in the “Lord, I have cried…” (which are the only two parts of the service with which many people are very familiar) did we slightly stretch the formulaic rules in order to accommodate more of the original melody.

Matins ​

Papa Ephraim’s work on Matins developed over a much longer period. He began composing individual Matins settings in 2006. Much of the music for special days dates to 2007–2008, while the remaining work proceeded gradually over the following decade. Music for most Sessional Hymns and Hymns of Ascent was released in 2009 and 2010, with Byzantine notation versions being released between 2012 and 2014. The slow and brief Praises in Western notation followed in all eight modes between May and July 2014. The Byzantine notation Praises were typeset progressively from October 2014 to March 2017. On October 24, 2021, a complete Matins book was assembled and released.

Like the Vespers book, this book is of very high quality and adheres to the formulaic rules, the sole exception being the Resurrectional Dismissal Hymns, which were retained from Papa Ephraim’s earlier Divine Liturgy music.

Dismissal Hymns and Kontakia for Feast Days ​

Papa Ephraim began work on Dismissal Hymns and Kontakia for the liturgical year in 2007. The complete book was released on October 13, 2008, and subsequently revised as version 1.11 on May 29, 2009. Like the Vespers and Matins books, this book is of very high quality, reflecting the same formulaic method of composition throughout.

Papadic Formulæ ​

By March 27, 2009, Papa Ephraim had begun collecting and publicly posting papadic formulæ. This represented a major expansion of the scope of his previous project. The work continued over the following years, culminating in the release of a papadic formula book on August 26, 2012. This was a key turning point for papadic composition, as it supplied a systematic basis for adapting these extended melodies to English while still respecting their traditional formulaic structure.

Papa Ephraim used this as an opportunity to revise nine of his existing Cherubic Hymns between 2008 and 2010 to better conform to the formulaic rules, as well as to compose two new Cherubic Hymns from scratch, based on the settings of Peter the Peloponnesian. These Cherubic Hymns are a significant improvement over the original 2005 versions; however, they are unfortunately not clearly marked on the download pages. It is therefore difficult to distinguish one of these revised pieces from the older work when casually browsing the site.

Reflections ​

Papa Ephraim’s research on composition and orthography transformed not only his own subsequent work but the entire field of composing Byzantine music in English and other languages. His students, among whom we count ourselves, continue to apply his methodology to new efforts, and newer typesetting tools, built on his fonts, have made it far easier to prepare and revise scores.

In his article concerning adaptation, Papa Ephraim wrote:

In our Divine Liturgies book, […] we disregarded the rules in order to preserve the original melody with few or no changes. This was intentional, because many people know the melodies of those hymns, and they would prefer an adaptation that sounds familiar, whereas in this Vespers book, most of the troparia of the Octoëchos are not well known.

In our view, this transitional approach made sense when the formulaic rules were newly codified and the entire field was still in its infancy. Two decades later, the field has matured immensely, in large part due to Papa Ephraim’s own contributions, and as such, a transitional approach like this is no longer needed. The next generation of composers has largely followed a rigorous formulaic approach for all pieces, including the Divine Liturgy, and this approach has been well received.

We therefore believe that this transitional approach should be slowly phased out. To some degree, Papa Ephraim began this process himself when he revised nine of his Cherubic Hymns between 2008 and 2010 and composed two new ones in the style of Peter the Peloponnesian. The latter reflects his final, most refined approach to adaptation: following the style of a particular composer or piece while retaining a fully rigorous application of the formulaic rules. This model has been used in subsequent adaptations and compositions, including our own.

Recommendations ​

The tables below list each score on Papa Ephraim’s site along with the date of its latest PDF. 🟢 USE marks a score that conforms to the formulaic rules, 🟡 CAUTION marks one that was only partially revised, and 🔴 AVOID marks one that predates the formulaic approach. The note “even after revisions” indicates that a score was later corrected, but only in minor ways that did not bring it into conformity with the rules.

Vespers ​

All music in this book is recommended except for the eight Dismissal Hymns retained from the earlier Divine Liturgy book and settings of “Lord, I have cried…” linked below.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Vespers – complete book2009-12-16Conforms to formulaic rules, except for the Dismissal Hymns and settings of “Lord, I have cried” listed below🟢 USE
Dismissal Hymn – First Mode2006-09-11Predates formulaic approach🔴 AVOIDBasil Crow
Lord, I have cried – First Mode2006-09-11Predates formulaic approach🔴 AVOID—
Dismissal Hymn – Second Mode2006-09-12Predates formulaic approach🔴 AVOIDBasil Crow
Lord, I have cried – Second Mode2006-09-12Predates formulaic approach🔴 AVOID—
Dismissal Hymn – Third Mode2006-09-13Predates formulaic approach🔴 AVOIDBasil Crow
Lord, I have cried – Third Mode2006-09-13Predates formulaic approach🔴 AVOID—
Dismissal Hymn – Fourth Mode2006-09-19Predates formulaic approach🔴 AVOIDBasil Crow
Lord, I have cried – Fourth Mode2006-09-19Predates formulaic approach🔴 AVOID—
Dismissal Hymn – Plagal of First Mode2006-09-22Predates formulaic approach🔴 AVOIDBasil Crow
Lord, I have cried – Plagal of First Mode2006-09-22Predates formulaic approach🔴 AVOID—
Dismissal Hymn – Plagal of Second Mode2006-09-26Predates formulaic approach🔴 AVOIDBasil Crow
Lord, I have cried – Plagal of Second Mode2006-09-26Predates formulaic approach🔴 AVOID—
Dismissal Hymn – Grave Mode2006-10-03Predates formulaic approach🔴 AVOIDBasil Crow
Lord, I have cried – Grave Mode2006-10-03Predates formulaic approach🔴 AVOID—
Dismissal Hymn – Plagal of Fourth Mode2006-10-06Predates formulaic approach🔴 AVOIDBasil Crow
Lord, I have cried – Plagal of Fourth Mode2006-10-05Predates formulaic approach🔴 AVOID—

Matins ​

All music in this book is recommended except for the eight Dismissal Hymns linked below, which were retained from the earlier Divine Liturgy book.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Matins – complete book2021-10-24Conforms to formulaic rules, except for the Dismissal Hymns listed below🟢 USE
Dismissal Hymn – First Mode2006-09-11Predates formulaic approach🔴 AVOIDBasil Crow
Dismissal Hymn – Second Mode2006-09-12Predates formulaic approach🔴 AVOIDBasil Crow
Dismissal Hymn – Third Mode2006-09-13Predates formulaic approach🔴 AVOIDBasil Crow
Dismissal Hymn – Fourth Mode2006-09-19Predates formulaic approach🔴 AVOIDBasil Crow
Dismissal Hymn – Plagal of First Mode2006-09-22Predates formulaic approach🔴 AVOIDBasil Crow
Dismissal Hymn – Plagal of Second Mode2006-09-26Predates formulaic approach🔴 AVOIDBasil Crow
Dismissal Hymn – Grave Mode2006-10-03Predates formulaic approach🔴 AVOIDBasil Crow
Dismissal Hymn – Plagal of Fourth Mode2006-10-06Predates formulaic approach🔴 AVOIDBasil Crow

Feast Days ​

All music in this book is recommended.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Annual Dismissal Hymns and Kontakia – complete book2009-05-29Conforms to formulaic rules🟢 USE

Doxologies ​

We recommend using the First Mode Brief Doxology and “Today is salvation…” in this section with caution, as they were only partially revised; the remaining settings predate the formulaic approach and should be avoided.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Doxology – First Mode2006-11-27Predates formulaic approach, even after revisions🔴 AVOID—
Doxology – Plagal of Second Mode2006-11-27Predates formulaic approach, even after revisions🔴 AVOID—
Doxology – Plagal of Fourth Mode2006-11-27Predates formulaic approach, even after revisions🔴 AVOID—
Brief Doxology – First Mode2008-11-24Partially revised 2008-11-24🟡 CAUTIONBasil Crow
Brief Doxology – Second Mode2005-09-04Predates formulaic approach🔴 AVOIDBasil Crow
Brief Doxology – Third Mode2005-09-21Predates formulaic approach🔴 AVOIDBasil Crow
Brief Doxology – Fourth Mode2005-09-04Predates formulaic approach🔴 AVOIDBasil Crow
Brief Doxology – Plagal of First Mode2005-09-04Predates formulaic approach🔴 AVOIDBasil Crow
Brief Doxology – Plagal of Second Mode2007-01-26Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow
Brief Doxology – Grave Mode2005-09-09Predates formulaic approach🔴 AVOIDBasil Crow
Brief Doxology – Plagal of Fourth Mode2005-09-10Predates formulaic approach🔴 AVOIDBasil Crow
Today is Salvation2008-03-27Partially revised 2008-03-27🟡 CAUTION—
After rising from the tomb2005-09-11Predates formulaic approach🔴 AVOID—

Divine Liturgy ​

“Christ is risen…” ​

We recommend avoiding the “Christ is risen…” setting in this section, as it predates the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Christ is Risen2005-11-08Predates formulaic approach🔴 AVOIDBasil Crow

“Lord, have mercy…” ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Lord, have mercy – Plagal of Fourth Mode2006-11-27Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow
Lord, have mercy – Plagal of First Mode2006-11-27Predates formulaic approach, even after revisions🔴 AVOID—
Lord, have mercy – First Mode2005-11-07Predates formulaic approach🔴 AVOID—
Lord, have mercy – Plagal of Second Mode2006-11-27Predates formulaic approach, even after revisions🔴 AVOID—
Lord, have mercy – In Five Modes2005-11-09Predates formulaic approach🔴 AVOID—

Antiphons ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Through the Intercessions2005-11-08Predates formulaic approach🔴 AVOIDBasil Crow
Save us, O Son of God2005-11-08Predates formulaic approach🔴 AVOIDBasil Crow
Only-begotten Son2005-08-24Predates formulaic approach🔴 AVOIDBasil Crow
Come, let us worship2005-08-24Predates formulaic approach🔴 AVOIDBasil Crow
Festal Entrance Hymns2005-11-08Predates formulaic approach🔴 AVOID—

Typica ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Typica – 1st Stasis – Plagal of Fourth Mode2006-08-22Predates formulaic approach, even after revisions🔴 AVOID—
Typica – 1st Stasis – Plagal of First Mode2005-06-20Predates formulaic approach🔴 AVOIDGabriel Cremeens
Typica – 2nd Stasis – Grave Mode2005-06-20Predates formulaic approach🔴 AVOID—
Typica – 2nd Stasis – Plagal of First Mode2005-08-21Predates formulaic approach🔴 AVOIDGabriel Cremeens

Resurrectional Dismissal Hymns ​

We recommend avoiding the Resurrectional Dismissal Hymns in this book, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Resurrectional Dismissal Hymns2006-09-16Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow

Thrice-Holy Hymn ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Trisagion – Second Mode – Brief2005-08-15Predates formulaic approach🔴 AVOIDBasil Crow
Trisagion – First Mode2005-11-07Predates formulaic approach🔴 AVOID—
Trisagion – Second Mode2005-11-08Predates formulaic approach🔴 AVOIDBasil Crow
Trisagion – Plagal of Fourth Mode2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
As Many as Were Baptized2006-11-28Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow
Thy Cross do we Worship2006-11-28Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow

Alleluia ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Alleluia2005-08-26Predates formulaic approach🔴 AVOIDBasil Crow
Alleluia – long versions2005-11-08Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow
Arise, O God2005-07-03Predates formulaic approach🔴 AVOIDBasil Crow
Glory to Thee2005-06-20Predates formulaic approach🔴 AVOIDBasil Crow
Eis Polla Eti2005-11-08Predates formulaic approach🔴 AVOIDBasil Crow

Hierarchical Liturgy ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Lord, Save the Faithful2006-11-28Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow
Lord, have mercy – Ordinations2005-08-11Predates formulaic approach🔴 AVOIDBasil Crow
Axios2005-08-11Predates formulaic approach🔴 AVOIDBasil Crow

Cherubic Hymns ​

We recommend the two Petros settings and the seven revised settings marked USE below in this section; the remaining settings predate the formulaic approach and should be avoided.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Cherubic Hymn – First Mode – Karamanis2009-03-10Revised 2009-03-10 to conform to formulaic rules🟢 USE
Cherubic Hymn – First Mode – Phokaeus2009-03-26Revised 2009-03-26 to conform to formulaic rules🟢 USE
Cherubic Hymn – First Mode – Petros2009-03-10Conforms to formulaic rules🟢 USE
Cherubic Hymn – Second Mode – Karamanis2005-11-08Predates formulaic approach🔴 AVOID—
Cherubic Hymn – Second Mode – Phokaeus2005-10-31Predates formulaic approach🔴 AVOID—
Cherubic Hymn – Third Mode – Hierotheos2008-09-26Revised 2008-09-26 to conform to formulaic rules🟢 USE
Cherubic Hymn – Third Mode – Gregory2005-11-04Predates formulaic approach🔴 AVOID—
Cherubic Hymn – Fourth Mode – Stanitsas2005-07-27Predates formulaic approach🔴 AVOID—
Cherubic Hymn – Fourth Mode – Gregory2005-11-08Predates formulaic approach🔴 AVOID—
Cherubic Hymn – Plagal of First Mode – Phokaeus2009-08-04Revised 2009-08-04 to conform to formulaic rules🟢 USE
Cherubic Hymn – Plagal of First Mode – Gregory2010-10-21Revised 2010-10-21 to conform to formulaic rules🟢 USE
Cherubic Hymn – Plagal of First Mode – Petros2009-03-14Conforms to formulaic rules🟢 USE
Cherubic Hymn – Plagal of Second Mode – Karamanis2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Cherubic Hymn – Plagal of Second Mode – Phokaeus2009-05-03Revised 2009-05-03 to conform to formulaic rules🟢 USE
Cherubic Hymn – Grave Mode – Gregory2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Cherubic Hymn – Grave Mode – Phokaeus2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Cherubic Hymn – Plagal of Fourth Mode – Hierotheos2005-11-06Predates formulaic approach🔴 AVOID—
Cherubic Hymn – Plagal of Fourth Mode – Phokaeus2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Cherubic Hymn of Holy Thursday2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Cherubic Hymn of Holy Saturday2009-03-19Revised 2009-03-19 to conform to formulaic rules🟢 USE

Anaphora ​

We recommend using the Fourth Mode (Agia) Petridis and Plagal of Fourth Mode Hierotheos settings in this section with caution, as they were only partially revised; the remaining settings predate the formulaic approach and should be avoided.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Anaphora – First Mode – Nikolaidis2006-09-05Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow
Anaphora – First Mode – Hatziathanasiou2005-06-20Predates formulaic approach🔴 AVOID—
Anaphora – Second Mode – Gregory2005-06-20Predates formulaic approach🔴 AVOID—
Anaphora – Second Mode (Deuteroprotos) – Hierotheos2005-11-10Predates formulaic approach🔴 AVOID—
Anaphora – Third Mode – Nikolaidis2005-11-23Predates formulaic approach🔴 AVOID—
Anaphora – Third Mode – Karamanis2005-06-20Predates formulaic approach🔴 AVOID—
Anaphora – Fourth Mode (Legetos) – Hierotheos2005-06-20Predates formulaic approach🔴 AVOID—
Anaphora – Fourth Mode (Agia) – Petridis2009-08-26Partially revised 2009-08-26🟡 CAUTION
Anaphora – Plagal of First Mode (Diatonic) – Hierotheos2005-11-11Predates formulaic approach🔴 AVOID—
Anaphora – Plagal of First Mode (Phrygian) – Hatziathanasiou2005-11-23Predates formulaic approach🔴 AVOID—
Anaphora – Plagal of Second Mode – Stanitsas2005-12-11Predates formulaic approach🔴 AVOID—
Anaphora – Plagal of Second Mode – Hatziathanasiou2005-10-30Predates formulaic approach🔴 AVOID—
Anaphora – Grave Mode – Hierotheos2005-06-23Predates formulaic approach🔴 AVOID—
Anaphora – Grave Mode – Pringos2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Anaphora – Plagal of Fourth Mode – Hierotheos2008-09-03Partially revised 2008-09-03🟡 CAUTIONBasil Crow
Anaphora – Plagal of Fourth Mode – Gregory2005-06-26Predates formulaic approach🔴 AVOID—
I will love Thee – slow versions2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—

“It is truly meet…” ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
It is truly right – First Mode – Gregory2005-11-22Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – First Mode (Heptaphonic) – Hatziathanasiou2005-08-02Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Second Mode – Ancient2005-11-08Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Second Mode (Deuteroprotos) – Philanthidis2005-08-06Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Third Mode – Phokaeus2005-08-19Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Third Mode – Gregory2005-08-07Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Fourth Mode (Legetos) – Gregory2005-11-22Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Fourth Mode – Gregory2005-08-07Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Plagal of First Mode – Pringos2005-11-22Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Plagal of First Mode (Phrygian) – Hatziathanasiou2005-08-07Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Plagal of Second Mode – Phokaeus2006-11-28Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow
It is truly right – Plagal of Second Mode – Anonymous2005-08-12Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Grave Mode – Phokaeus2005-08-12Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Grave Mode (Enharmonic) – Phokaeus2005-08-13Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Plagal of Fourth Mode – Anastasios2005-08-14Predates formulaic approach🔴 AVOIDBasil Crow
It is truly right – Plagal of Fourth Mode – Papanikolaou2005-11-08Predates formulaic approach🔴 AVOIDBasil Crow

Heirmoi (Katavasias) of the Ninth Ode ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Birth of the Theotokos2005-10-19Predates formulaic approach🔴 AVOID—
Exaltation of the Cross2005-11-10Predates formulaic approach🔴 AVOID—
Entrance of the Theotokos2005-11-09Predates formulaic approach🔴 AVOID—
Nativity2005-10-24Predates formulaic approach🔴 AVOID—
Nativity – Iambic2005-10-25Predates formulaic approach🔴 AVOIDBasil Crow
Theophany2005-10-25Predates formulaic approach🔴 AVOID—
Theophany – Iambic2005-10-26Predates formulaic approach🔴 AVOID—
Meeting in the Temple2005-10-26Predates formulaic approach🔴 AVOIDBasil Crow
Annunciation2005-11-10Predates formulaic approach🔴 AVOID—
Lazarus Saturday2005-10-27Predates formulaic approach🔴 AVOID—
Palm Sunday2005-10-28Predates formulaic approach🔴 AVOID—
Pascha – Peter2005-11-08Predates formulaic approach🔴 AVOID—
Pascha – Karamanis2005-10-28Predates formulaic approach🔴 AVOID—
Thomas Sunday2008-05-02Predates formulaic approach, even after revisions🔴 AVOID—
Paralytic2005-12-10Predates formulaic approach🔴 AVOID—
Samaritan Woman2005-06-01Predates formulaic approach🔴 AVOID—
Ascension2005-06-03Predates formulaic approach🔴 AVOID—
Pentecost – diatonic2005-06-01Predates formulaic approach🔴 AVOID—
Pentecost – enharmonic2005-06-03Predates formulaic approach🔴 AVOID—
Pentecost – Iambic2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Transfiguration2005-08-03Predates formulaic approach🔴 AVOID—
Transfiguration – alternate2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Dormition2006-09-03Predates formulaic approach, even after revisions🔴 AVOID—

Communion Hymns – Days of the Week ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
One is Holy2005-10-04Predates formulaic approach🔴 AVOIDBasil Crow
Sunday – First Mode2005-11-08Predates formulaic approach🔴 AVOID—
Sunday – Plagal of Second Mode2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Sunday – Plagal of Fourth Mode2005-09-29Predates formulaic approach🔴 AVOID—
Sunday – brief – 8 Modes2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Monday2005-10-02Predates formulaic approach🔴 AVOID—
Monday – brief2005-10-03Predates formulaic approach🔴 AVOID—
Tuesday2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Tuesday – brief2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Wednesday2005-10-04Predates formulaic approach🔴 AVOID—
Wednesday – brief2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Thursday2005-10-06Predates formulaic approach🔴 AVOID—
Thursday – brief2005-10-09Predates formulaic approach🔴 AVOID—
Friday2005-10-10Predates formulaic approach🔴 AVOID—
Friday – brief2005-10-10Predates formulaic approach🔴 AVOID—
Saturday2005-10-14Predates formulaic approach🔴 AVOID—
Saturday – brief2005-10-10Predates formulaic approach🔴 AVOID—
Slow Alleluia – First Mode2005-11-08Predates formulaic approach🔴 AVOID—
Slow Alleluia – Fourth Mode2005-10-02Predates formulaic approach🔴 AVOID—
Slow Alleluia – Plagal of Fourth Mode2005-11-09Predates formulaic approach🔴 AVOID—

Communion Hymns – Major Feasts ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Exaltation of the Cross2005-10-16Predates formulaic approach🔴 AVOID—
Nativity2005-10-16Predates formulaic approach🔴 AVOID—
Theophany2005-10-16Predates formulaic approach🔴 AVOID—
Annunciation2005-10-16Predates formulaic approach🔴 AVOID—
Lazarus Saturday2005-10-16Predates formulaic approach🔴 AVOID—
Palm Sunday2005-10-16Predates formulaic approach🔴 AVOID—
Holy Saturday2005-11-10Predates formulaic approach🔴 AVOID—
Pascha2005-10-16Predates formulaic approach🔴 AVOID—
Thomas Sunday2005-10-18Predates formulaic approach🔴 AVOID—
Mid-Pentecost2005-10-16Predates formulaic approach🔴 AVOID—
Ascension2005-10-17Predates formulaic approach🔴 AVOID—
Pentecost2005-10-17Predates formulaic approach🔴 AVOID—
Monday of the Holy Spirit2005-10-17Predates formulaic approach🔴 AVOID—
Sunday of All Saints2005-10-18Predates formulaic approach🔴 AVOID—
Transfiguration2005-10-18Predates formulaic approach🔴 AVOID—

Communion Hymns – Minor Feasts ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Mother of God – Fourth Mode – long2005-10-04Predates formulaic approach🔴 AVOID—
Mother of God – brief – Hieromonk Gregory2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Archangels – First Mode – long2005-10-02Predates formulaic approach🔴 AVOID—
Archangels – brief – Hieromonk Gregory2005-10-03Predates formulaic approach🔴 AVOID—
Honourable Forerunner and other Saints – Grave Mode – long2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Honourable Forerunner and other Saints – brief – Hieromonk Gregory2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Apostles, Three Hierarchs, and Sts. Constantine and Helen – Plagal of Fourth Mode – long2005-10-06Predates formulaic approach🔴 AVOID—
Apostles, Three Hierarchs, and Sts. Constantine and Helen – brief – Hieromonk Gregory2005-10-09Predates formulaic approach🔴 AVOID—
Cross – Third Sunday of Lent and August 12005-10-16Predates formulaic approach🔴 AVOID—
Prophets and Sts. Joachim and Anna2005-10-18Predates formulaic approach🔴 AVOID—
Holy Thursday – Plagal of Second Mode – slow2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Holy Thursday – Plagal of Second Mode – Athonite2007-01-26Predates formulaic approach, even after revisions🔴 AVOID—
Holy Thursday – Plagal of Second Mode – Petridis2005-09-24Predates formulaic approach🔴 AVOID—
Holy Thursday – First Mode – Petridis2006-04-17Predates formulaic approach🔴 AVOID—
Holy Thursday – Plagal of Fourth Mode – Petridis2009-06-28Predates formulaic approach, even after revisions🔴 AVOID—

Concluding Hymns ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
We have seen the true light2005-09-19Predates formulaic approach🔴 AVOIDBasil Crow
Remember us also2005-06-20Predates formulaic approach🔴 AVOIDBasil Crow
Let our Mouths be Filled2005-11-09Predates formulaic approach🔴 AVOIDBasil Crow
Blessed be the Name of the Lord2005-11-09Predates formulaic approach🔴 AVOIDBasil Crow
Christ is Risen – brief version2006-11-28Predates formulaic approach, even after revisions🔴 AVOIDBasil Crow
Ton Despotin2005-11-09Predates formulaic approach🔴 AVOIDBasil Crow
Ton Evlogounta2005-09-22Predates formulaic approach🔴 AVOIDBasil Crow
Through the Prayers2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—

Liturgy of St. Basil ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Lord, have mercy – St. Basil2005-06-20Predates formulaic approach🔴 AVOID—
In thee who art full of grace2007-11-12Predates formulaic approach, even after revisions🔴 AVOID—
In thee who art full of grace – brief2005-06-20Predates formulaic approach🔴 AVOID—
Anaphora – St. Basil2007-11-29Predates formulaic approach, even after revisions🔴 AVOID—
Anaphora – St. Basil – brief2005-06-20Predates formulaic approach🔴 AVOID—
Anaphora – brief – Plagal of First Mode2005-06-20Predates formulaic approach🔴 AVOID—

Liturgy of the Presanctified Gifts ​

We recommend the revised First Mode settings of “Now the Hosts…” and “O taste and see…” in this section; the remaining settings predate the formulaic approach and should be avoided.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
Let my prayer be set forth2005-08-08Predates formulaic approach🔴 AVOIDBasil Crow
Let my prayer be set forth – Plagal of First Mode – Traditional2005-08-15Predates formulaic approach🔴 AVOIDBasil Crow
Let my prayer be set forth – Fourth Mode2005-08-15Predates formulaic approach🔴 AVOIDBasil Crow
Let my prayer be set forth – Plagal of Second Mode – Brief2005-08-15Predates formulaic approach🔴 AVOIDBasil Crow
Let my prayer be set forth – Grave Mode2005-08-15Predates formulaic approach🔴 AVOIDBasil Crow
Let my prayer be set forth – Plagal of Second Mode – Slow2005-11-08Predates formulaic approach🔴 AVOIDBasil Crow
Now the Hosts – First Mode2009-08-06Revised 2009-08-06 to conform to formulaic rules🟢 USE
Now the Hosts – First Mode – brief2005-10-29Predates formulaic approach🔴 AVOID—
Now the Hosts – Fourth Mode2005-11-20Predates formulaic approach🔴 AVOID—
Now the Hosts – Plagal of Second Mode2005-06-20Predates formulaic approach🔴 AVOID—
Now the Hosts – Plagal of Fourth Mode2005-06-20Predates formulaic approach🔴 AVOID—
O taste and see – First Mode2009-03-26Revised 2009-03-26 to conform to formulaic rules🟢 USE
O taste and see – First Mode – brief2005-09-27Predates formulaic approach🔴 AVOID—
O taste and see – Fourth Mode – brief2005-09-27Predates formulaic approach🔴 AVOID—
I will bless the Lord2005-06-20Predates formulaic approach🔴 AVOIDBasil Crow

Liturgy of St. James ​

We recommend avoiding all the settings in this section, as they predate the formulaic approach.

MusicLatest PDF dateNotesRecommendationLiturgical English Alternatives
O magnify the Lord2005-11-09Predates formulaic approach🔴 AVOID—
We proclaim Thy death2006-11-28Predates formulaic approach, even after revisions🔴 AVOID—
Remember them, O Lord2005-09-27Predates formulaic approach🔴 AVOID—
Pardon, Remit, and Forgive2005-09-27Predates formulaic approach🔴 AVOID—
Fill my mouth2005-09-27Predates formulaic approach🔴 AVOID—